Max Gazzè great success that makes a great sold out at the Teatro Puccini.
A comment on the evening for us was Frank Cagnacci,
our "Spectator reporter" of the evening.
Here outside the theater with Lucia with their tickets well in sight of the fourth row.
Francesca at the ticket office.
Foyer very crowded (it is ... exhausted!)
break at the bar waiting to enter ...
... Here we go!
Cinatti Lorenzo, director of the Teatro Puccini.
Merchandising. And then?
The audience is should be filled.
bar staff of Puccini.
Finally the concert. Here's the comment of our Spectator reporter:
".. And one and two, and one, two, three, four ..". With a simple attack and universally recognized, Max gives a theater Gazzè Puccini impatient and sold out in any order instead of the long-awaited debut track, the beautiful cherry on external .
To accompany his voice and his bass, an accordion, a guitar and a battery of small expertly directed by three instrumentalists exceptional
(Clemente Ferrari, Giorgio Baldi, Luca Trolli).
A white cloth on which are projected lights of every color sets highlight the profiles of the four musicians and Max sings along to the public, the melodies of other famous songs We're like how we , Cara Valentina , The so drunk, irony, music can make a . The size of the acoustic performance, the constant counterpoint to the accordion and the voice of Max dramatic simplicity and fun banter between the singer and the musicians let the public feel at ease, "a living from home" as defined by Max during the evening, and boost the size of their dreamlike lyrics. There are also moments of overwhelming instrumental improvisation in which Max and the other musicians bring out their best qualities or triggering applause from the audience as it starts 's Overture of Rossini's William Tell.
This intimate and fun continues, albeit to a lesser extent, in the second part of the show when acoustic instruments were replaced with low and distorted guitars, synthesizers, drums complete, whistles and strobe lights. The new reality "rock" allows Max to present the songs from the new album as A heart barefoot, The most important thing , Subtle, While you sleep which now alternates The usual sex very well known, Summer Wind , The tale of Adam and Eve . A moment of musical fun to the tune of the theme of Pink Panther anticipates a tribute to the Police with the beautiful Driven to tears terminating the agreement between the applause of the audience. To anyone following my story you ask, like Max, "So?" I can only say that he witnessed a performance with a capital H by one of the greatest artists of the contemporary Italian.
A heartfelt thanks to BitConcerti for giving me a gift
so precious and unexpected.
Francis Cagnacci
Photo Marco Borrelli
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